
Tag: allison mosshart

Review: The Dead Weather- Dodge and Burn
I’m gonna be honest here, and you can take me to the chopping block for it if it makes you feel better. I’m not a big fan of every project that surrounds this cast – Now with that being said The Dead Weather has created a die hard, simple yet smart, banging record that is easily digested and sticks to the roof of your brain. No group of musicians work this well together without it being in tune and inspired by one another. For me, it is always an honor to write and share my opinions on the underrated. You might be saying to yourselves “but all four of these cats sit in the perfect seat for scootin’ on up the music biz ladder”. Maybe you think they don’t need the attention, or they’re privileged, if not more privileged than most other musicians. We’ve seen many talented collaborations of super-groups fail and fail badly. The truth is, The Dead Weather being a colab project of well known artists opens them up for more credibility to lose and more criticism to gain. For me, good music is good music, and bad music is…well, bad. My first reaction of the Dodge and

The Kills Come to Los Angeles and Burn It To The Ground
The duo of Allison Mosshart and Jamie Hince, aka, The Kills, played back to back, sold out L.A. shows at the El Rey and Glasshouse this week and it was my first time seeing them live, along with Baby in Vain. I am a HUGE fan of Mosshart with the Dead Weather and my love of that band rolled into a deep appreciation for The Kills. I’ve heard many people comparing The Kills to The White Stripes, over the years. That is one of the laziest and uninventive comparisons to pigeon hole a unique and creative collaboration such as The Kills, that I’ve heard in quite a long time. The Kills don’t sound like anyone else and rarely can one find the type of talent, sex appeal and presence that Allison Mosshart displays on stage. The Kills took the stage to a packed and exuberant house in Pomona. They wasted no time drawing the audience in by kicking the show off with “U.R.A. Fever” and instantly, it was on. With a battery of accompanying musicians in the background triggering samples and beating on drum modules, Mosshart and Hince stayed up front and were free from the past multi-tasking performances in which