Tag: acoustic

Beck at The Lodge Room by Jessica Moncrief

Beck Acoustic at The Lodge Room- A Storyteller

Acoustic performances are known for providing a more intimate experience that offers the listener a vulnerable look into an artist’s relationship with their music, often having a lower energy than standard performances due to the quieter nature of the format. While diehard fans of an artist appreciate this personal encounter with their favorite artist, it’s even more impressive when the performance is just as thrilling and exciting as their higher production concerts. Beck is the incredibly rare example of an artist that creates an acoustic experience so unique that the energy is higher than seeing him in a more extravagant setting, completely transforming what these types of sets are typically known for. His two recent sold out 2-hour performances at The Lodge Room in Highland Park were a twice in a lifetime event, feeling as if it was the ideal way to experience Beck in-person. Even if you aren’t a Beck fan or a fan of acoustic sets, this show was easily one of the most memorable concerts that one could experience. This review is about night 1 of 2 performances at one of our favorite venues in Los Angeles. related: A Love Letter to The Lodge Room Highland Park

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Six Organs of Admittance

Unplugged and Undying: Six Organs of Admittance, Wino, and Xasthur at Resident

When Bob Dylan first plugged in and went electric at the Newport Folk Festival in 1963, he was harangued, mocked, and shit on by the same followers that professed their total devotion to him as a folk singer. Similarly, when metal goes acoustic, there are always detractors. Yet, with the talent exhibited by the artists Church of the 8th Day booked to play The Resident, Xasthur, Wino, and Six Organs of Admittance, the voices of those detractors seemed to shrink under the monumental weight of the emotions in these folk songs. Proving that Kansas can be just as dark as Darkthrone, Alhambra’s Xasthur was once a one-man black metal machine, pumping out the haziest, most brutal black metal in California. Having soaked in all of isolation’s inspiration, Scott Conner knew there were muses he had to follow beyond the boundaries of electric music. Startling the purist following he had garnered, Xasthur went acoustic and the fans that once battled his skeptics, became skeptics themselves. related content: Satyricon’s Final Los Angeles Show: A Night Too Blackened To Forget Taking the stage as a three-piece, all on acoustic guitars, Xashur wore a bandana to cover his face while Christopher sang his lyrics and

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