Tag: a place to bury strangers

Take This: Win Two Tickets to A Place to Bury Strangers at Teragram

Janky Smooth Central Command May 16, 2022

Psych rock never sounded so dark, demented and wild as when A Place To Bury Strangers takes the stage and starts ripping. It’s so heavy, noisy, fuzzed out and chaotic, this band is the envy of all the most extreme genres. We’re giving away two tickets to their show at Teragram Ballroom in the hopes it splits your brain. YOU CAN BUY TICKETS HERE or ENTER TO WIN 2 TICKETS TO A PLACE TO BURY STRANGERS MAY 17TH AT TERAGRAM BALLROOM Step 1- Join Our Newsletter (look for pop up every time you arrive at jankysmooth.com) Step 2 – Tag a Friend in the comment section of our INSTAGRAM or FACEBOOK A PLACE TO BURY STRANGERS Ticket Giveaway Post WINNER WILL BE SELECTED ON MAY 16TH AT 1PM PST VIA EMAIL CONFIRMATION

A Place To Bury Strangers Interview at Levitation 2021- Janky Smooth Sessions

Grace Dunn February 11, 2022

Janky Smooth Sessions sat down with A Place To Bury Strangers for an interview at Levitation 2021. Among the topics Grace Dunn and Scott Urian discussed with Oliver Ackermann, John Fedowitz and Sandra Fedowitz were the new APTBS album, “See Through You” released by Dedstrange in 2022, the creative process and both the moral and practical challenges of touring during a global pandemic. Related Content: A Place to Bury Strangers Make Ears Bleed at The Echoplex Video and Editing: Grace Dunn Interview: Grace Dunn and Scott Urian

Desert Daze 2021: Music, Magick and Medicine

Danny Baraz December 17, 2021

The road to Desert Daze 2021 was a long and winding way that spanned greater than the material distances of the 10, 60 and 215 highways between Lake Perris and Los Angeles. Everyone’s road was different, from festival organizers, Moonblock and co. and those in attendance. Not everyone’s road was paved with isolation and misery since the last installment of Desert Daze in 2019 but certainly everyone can agree that there has been a paradigm shift in the dynamic of living, or the collective consciousness, or whatever you want to call it, on Planet Earth. related content: Desert Daze 2016- Quantifying the Physics of a Good Time Music, Magick and Medicine beckoned far and wide but intimate attendance (low ticket sales) and a revamped vibe in the typical Desert Daze lineup brought only the most loyal and adventurous of past attendees and in my own conversations in the camp site, many first timers. It shrunk the festival grounds to a one stage operation on the banks of lovely lake Perris, in one of the most beautiful weekends to grace this Fall season in Southern California. Nevertheless, vibrations reverberated like signature sitar tones, like a butterflies wings, causing ripples across space

Spooky Psych Sounds: Levitation 2021

Grace Dunn November 24, 2021

Words by: Scott Urian and Grace Dunn Photos by: Grace Dunn I had no idea what to expect on my way to Levitation 2021. It was my first Levitation experience. Damn – it was also the first time I had been on an airplane, travelled out of state, or seen a single show with a crowd of more than a hundred people in the past two years of surprises and confusion. My overall takeaway from this experience was more surprises, more confusion, and absolutely no doubt that I will be back next year. My navigator of all things bizarre in Austin was none other than Grace Suzette. Photographer of the psychotic, Levitation veteran, and devout member of all things loud. With her confidence and my wide eyes began a four day melee of music at various venues in the Red River District that would have killed me had I not been having so much fun. related content: Psych & Fury: Levitation 2019 Thursday Angelica Garcia at Stubb’s Angelica’s deserved a much denser crowd. Those who planned their night around Crumb can’t be blamed, but missed out on a showcase of pure talent that started the momentum of the whole weekend.

Psych & Fury: Levitation 2019

Janky Smooth Central Command November 22, 2019

Is Austin, Texas’ Levitation the best psychedelic music fest in America? The World? With four days and nights of stacked lineups that get rockers moving from venue to venue, filling the streets with all sorts of strange for indoor and outdoor shows, it’s hard to argue the contrary. We sent psych rock aficionado, Suzette Subliminal out there to capture slices of the sublime and as you can see below, every act seemingly performed sets that were as transcendant as they were transformative. The likes of Dinosaur Jr., Kurt Vile, John Cale, Tobacco, and A Place to Bury Strangers made this year’s festival one for the ages. Check out the pics below! Photos by: Grace Dunn related content: Silver Lake Perris: Desert Daze 2019 A Place To Bury Strangers Tobacco Christian Bland and the Revelators Cryogeyser Deantoni Parks Dinosaur Jr. Guerilla Toss JJUUJJUU John Cale Kurt Vile Numb.er Ringo Deathstarr The KVB

Becoming the Night: Substance 2019

Rob Shepyer November 7, 2019

Taking every kind of music into account, the genre that best fits Los Angeles has to be post-punk, or better yet, goth. Why exactly? Perhaps it’s the way the shadows hit the concrete, or the loneliness of a city where people think being neighborly only causes more trouble, maybe it’s the genre’s long tradition from the Sunset Strip to the barrio. Goth has always stayed strong whether it’s the biggest scene in the city or not. Given all this, an annual goth festival where people can wallow and dance the night away is a necessity. In previous years, Cloak and Dagger was the go-to festival for such affairs but as of 2019, Restless Nights and Spaceland’s Substance festival which took place at the Los Angeles Theatre, is now the premiere goth festival in Los Angeles. What I found most interesting about this festival, beyond the actual music, was the fact that every major goth promoter had a hand in it. Along with Restless Nights; Part Time Punks, Das Bunker, and Lethal Amounts were also in the mix. The common threads between all the bands present at the 2 day event were darkness and electronics. Everyone wore black. related content: Cloak

Virtually No Dust: Desert Daze 2018

Dillon Vaughn October 23, 2018

It’s impossible to talk about Desert Daze 2018 without discussing the previous year at it’s former location in the high desert. My personal experience as a visitor to DD 17 is unmatched by any other festival I’ve ever attended. The lineup was insane, the installations were engaging, and the location truly felt like it held some kind of spectacular aura. I’ve never understood the appeal of the Joshua Tree getaways Angelenos fiend for and I’m absolutely disgusted by the false bohemian ideology perpetuated by burners (and Burning Man as a whole) but for a brief three days in the high desert it all clicked for me. related content: Desert Daze 2017 Headline Here: Some Variation’s Of Rock’s Not Dead The Institute of Mentalphysics was a challenging place for some because of the of its sporadic dust storms and painfully low temperatures at night, so it seemed like a great idea to find a location closer to the city that still maintained a sense of the desert – minus the harsh elements. Cue the announcement of DD 2018 staking its new home alongside the manmade reservoir Lake Perris: a location touted as an oasis with “virtually no dust” tucked quietly on

The Horrific Beauty of A Place To Bury Strangers: APTBS at the Regent

Grace Dunn June 26, 2018

A Place To Bury Strangers grant you access into their dome of ear deafening delights. Oliver Ackermann, Dion Lunadon and Lia Simone are the gatekeepers seething with energetic enthusiasm like a rabid dog foaming at the mouth. Upon arriving to The Regent, the first thing one ought to check for at this gig is the merch table. Why you say? It’s not often you find custom made pedals from one of the band members. First comment I hear from some guy, “They’re cheaper to buy here than online.” He turns to the lady merch keeper and asks, “You guys take card?”. related content: The First Real Day Of Summer: Hinds At The Teragram On top of the usual merch from touring bands, you can buy ‘Death By Audio’ (DBA) effects pedals crafted by lead singer/guitarist wizard Oliver Ackermann. There is great inspiration that has been spurred from his DIY pedal company. The documentary ‘Goodnight Brooklyn’ directed by Matthew Conboy gives great insight into the glorious history that raised out of the beginnings of DBA. It builds up the expectation for each wild APTBS performance. I settle into the crowd 10 minutes before their set time. Random enough, I look around the arches of the

The Jesus and Mary Chain, Psychocandy and the Art of Noise at The Fonda

Johann A. Ramos August 21, 2015

The Jesus And Mary Chain and A Place To Bury Strangers (APTBS) shared the stage Wednesday night at The Fonda Theater in Hollyweird. The influencers of the first wave of the shoegaze movement made a wise choice picking APTBS as their support to mark the significance of this seminal album in rock history. When I arrived to the venue, I was delighted to be greeted by up and coming solo acoustic singer and songwriter Willow Robinson. Although I was a little late to his set, I enjoyed the songs I did manage to catch and recognize. While I do believe that the acoustic genre is saturated and that it is almost impossible to stand out, Willow Robinson is one of the few exceptions in the scene. Although the crowd was a little bare, the few spectators were having a good time. It was apparent in the way their eyes were glued to the stage. Willow Robinson closed his set by letting us know that he was very grateful to be sharing the stage with Jesus and The Mary Chain and A Place To Bury Strangers, a very humble move on his part. I was intrigued but not surprised by the

A Place to Bury Strangers Makes Eardrums Bleed at The Echoplex

JustinThomas March 16, 2015

Last night The Echoplex played host to a union of reverberate noise courtesy of A Place To Bury Strangers, Creepoid, and Tennis System. I arrived around 10pm, just in time to catch the Los Angeles transplanted three-piece, Tennis System. Like the other bands billed, Tennis System produced no shortage of noise, setting the stage perfectly with their stony jams for the rest of the acts to follow. Next up were the Philadelphia bred four-piece, Creepoid. Lead by guitarist Sean Miller and bassist Anna Troxell, Creepoid had a dark, shoegazey sound that translated extremely well live. Much like A Place To Bury Strangers, their songs seemed to deviate from their recorded structure, instead, leading into reverb filled bridges and bass driven breakdowns. Last night was their last stop on the tour supporting APTBS, and they made it known. Before Anna Troxell led into “Tired Eyes”, she dedicated the melancholy track to ABTBS letting them know how much she would miss them. To wake the sleepy Sunday night crowd at 11:30 PM was A Place To Bury Strangers and wake them they did. Never in my life have I experienced a band that produces the amount of noise that A Place to