Tag: 30 days in LA

Death From Above 1979 at The Regent Theater

Two Nights of Death From Above 1979 and MSTRKRFT in L.A. and The O.C.

Death from Above 1979/MSTRKRFT: Night 2 in LA. Within the 20 minutes between opener, Hustle & Drone leaving the stage and Death From Above 1979 taking it, the house went from sparse to capacity. The night was filled with false fire alarms and a few sound issues of the newly opened and opulent Regent Theater in Downtown Los Angeles- A gorgeous venue that is still working out the kinks. The P.A. was filled with the sounds of Johnny Cash, Hank Williams and other old country classics as a surprisingly eclectic and beautiful crowd filed in to witness a show by the experimental thrashers from Toronto. I myself discovered DFA in 2008- a good 2 years after they had already broken up. O.G. DFA fans love to separate their fan base into a B.C and A.D. category- a snobbishness I have been guilty of myself on many occasions. Now it appears there is a third category of fans that have discovered the band after their more, commercially friendly, reunion release of The Physical World in September of this year. This was my first time seeing DFA live after devouring the catalog for the past 6 years with no satisfaction or release

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Killer Mike

Run The Jewels: Taking Hip Hop Back at The Echoplex

It’s been years since anyone in hip hop has released an entire album of “destined to be classic” tracks, much less two. Over the last couple years rappers like Danny Brown, Ab-Soul and Schoolboy Q have released some classic tracks but the entire body of work leaves much to be desired. Weak beats and lazy lyrics dominate the landscape in the mainstream and the underground. B-boys have all but disappeared in this era of club bangers. Graffiti is now called “street art” and dance crews now have large shows in Las Vegas. Then on April 9th, 2013 a self-titled album called “Run the Jewels” dropped and changed the game. Jaime Meline, a.k.a. El-P is not only a dope M.C. but the beats he produced with Little Shalimar and Wilder Zoby are the foundation of not one but two instant classics- Run The Jewels and Run The Jewels 2. On Thursday, November 13 El-P and Killer Mike played the Echoplex as Run the Jewels for Day 13 of Red Bull Sound Select’s, 30 Days in LA. The anticipation was thick moments before Run The Jewels took the stage. There was a buzz of speculation on some special guests and the Echoplex

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Reignwolf

Reignwolf at the Mint: Madman of Rock ‘n Roll

Jordan Cook sat on a drum throne with a drum stick in his picking hand, a guitar in his other and the mic chord wrapped around his neck. Just minutes earlier he moved the entire drum kit from the stage to the middle of the floor at The Mint in Los Angeles. The time it took to set this up was inconsequential to everyone but the sound guy because when Reignwolf plays your venue, you should be prepared for every boundary of your audio system to be stretched to it’s limits. Microphones rubbing against guitar strings that are boosted by overdrive, sustain pedals, octave pedals, body parts and sweat. Foot on the kick pedal, pumping rhythms, one hand on the fret board playing licks and the other tapping the snare as an audience member unwraps the microphone chord from his neck and hold it up to Cook’s lips. Then he gets antsy again and stands on top of the kick drum and makes way for drummer, Joseph Braley and all-around utility man, Stitcx. In an instant, the entire band is melting faces again, surrounded like Baptist preachers on a soapbox in the middle of a barren swampland, surrounded by congregants.

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Sean Dwyer of BREAKFAST

Turn Table Tennis: Red Bull and DJ Fueled Ping Pong Tourney at The Standard

SPiN LA is the Susan Sarandon (yes, from Thelma & Louise) sponsored ping pong facility housed within the ultra-modern Standard Hotel in DTLA. Last night the Red Bull team overhauled the 2nd floor courts into a full on futuristic pong tournament, coupled with excellent dance music for their night of Turn Table Tennis. This Red Bull Sound Select event was a breeze to get into, unlike the usual events held at this venue – which was refreshing. We were met, at the top of the escalator, by classic house music spun by Red Bull Sound Select signee’s White Rainbow’s Adam Forkner, and tournament check in station. Dani Meigel (one of our photographers) and myself signed up as The Residents (I’m a resident DJ at this spot on Sunday’s, fun fact) and collected our paddles. As we waited for the tournament to start, we enjoyed the beefed up sound system Red Bull had brought to SPiN. People were warming up for the tourney, whose prize was a pair of coveted passes to the Sasquatch music festival, and electric sense of competition was in the air. The SPiN LA crew was on point with immediate response time at the bar – of

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Bad Religion

Bad Religion at The Mayan: Hardcore Punk Lives On Through a Soft Generation

It’s been interesting to attend every night of Red Bull Sound Select’s, 30 Days in LA– and exhausting. I’m a music mutt so I would probably attend at least 15 of 30 days even if I wasn’t covering them but this weekend, I went from Warpaint to Bad Religion. Now that’s a swing of emotion. I went from being brought to tears to wanting to make someone cry. Red Bull was labeling Sunday as an all punk night and claims like that are when I start to get really snobby. There is no denying the influence Bad Religion has had on hardcore punk but I was worried that they might bust out acoustic guitars for a show like this because their releases over the last 10 years have certainly lost their edge. I walked into The Mayan in Downtown L.A. and immediately became worried when I heard Foo Fighters playing over the P.A. I didn’t do my usual homework on the Red Bull bands opening for Bad Religion. I prefer letting the live show do the talking but it’s always nice to have a point of reference. I had heard The Scandals from New Jersey but had no idea what

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Thurz

Chillin with Thurz and Tapioca and the Flea at the K-town Karaoke Throwdown

Last night I hit day 8 of Red Bull Sound Select’s, 30 days in LA. This night was a laid back Karaoke night with the title K-Town Karaoke Throwdown and was hosted by good friends of mine Tapioca and the Flea. When I got to the location and realized the event was split up into 20 rooms, I thought to myself “how the hell am I going to cover this?” Then Samuel Lopez of Tapioca and the Flea told me they had their own room for the night. “fuck yeah!” I exclaimed as I heard that. So for the following review I give you my night spent with the guys from Tapioca and the Flea. The night started off with just Samuel Lopez, Ronnie Watson, and I hanging out in the karaoke room. Sam serenaded us with music from The Beatles as we ordered up bottle service and food. Now the bottle service was actually decently priced and Tapioca and the flea was given a generous tab from Red Bull, but the food selection was just kind of odd. There were four food options to choose from, lychee, french fries, “cheese sticks” which were just mozzarella sticks with some weird

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Warpaint

Warpaint at the Echoplex: Bringing Grown Men to Tears

I need to write a review but I want to write a love letter. I can hardly think straight. My head is still spinning from Warpaint’s two hour set last night at The Echoplex. I am completely infatuated with the ladies of this band. Not just because they are all beautiful but because nothing is more attractive than women that are in command of their craft. Powerful, mesmerizing and unbearably sexy, Warpaint were coming off an extended tour and were effortlessly locked in with each other and their songs. Bass player, Jenny Lee Lindberg and Drummer, Stella Mozgawa start on the 1 with a just a quick look and one bar into the song, they smile and make eye contact, understandably proud of themselves. I’m not sure I witnessed Stella count in even once throughout the entire set and I never saw the band miss a beat the entire night. This is the best show I’ve seen the band play and I’ve seen them play quite a few times. Warpaint cannot simply be described as chick rockers because that would be minimizing the extent of their greatness. One cannot remove that aspect, though, because for women, they are an inspiration

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Kathleen Hanna and The Julie Ruin

The Julie Ruin at The Troubadour: Vagina’s and Surprises.

Kathleen Hanna is an icon. She is the nut crushing, vagina wielding, punk singing, ear ringing legend of a once, DIY militant feminism. A militancy that was absolutely necessary in a 90’s era of violent, male dominated, testosterone injected dominance of the American punk scene. Her band, Bikini Kill, not only gave girls a voice in that void of misogynistic obliviousness but insisted on “Girls to the Front!”. On Thursday, November 6th, her band The Julie Ruin headlined night 6 of Red Bull’s 30 Days in L.A. at the Troubadour. The irony of looking at the big, corporate Red Bull logo behind Hanna all night was not lost on me but if Nirvana could start from the Kill Rockstars record label, to Sub Pop and eventually end up on Geffen, then The Julie Ruin could certainly play a gig with Red Bull Sound Select and retain their integrity. Bookings like this give Red Bull’s music division more and more street cred every day. I arrived at The Troubadour just before Red Bull band Bad Girlfriend took the stage. I was in a foul mood. I was fucking exhausted after covering 5 out of 6 of the 30 Red Bull dates

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Beach Party at Wax on Wax

A Vinyl Junky’s Dream Come True at the Wax Museum in Hollywood

Aside from straightforward concerts, Red Bull Sound Select is throwing themed parties along their 30 day trek trough L.A. Last night was their Wax On Wax event at Madame Tussauds world famous wax museum. The evening was vinyl themed and featured some local talent to curate DJ sets.  Dan Wilcox (KCRW), Dirty Dave, Mayer Hawthorne and the boys from Beach Party all dug through their crates to bring enlightened sets to the night. The night had no cover, just the requirement of RSVP, so it was a packed house in the middle of Hollywood Blvd. Origami Vinyl, Amoeba Records and The Record Parlour – all local record shops – graced the museum rooftop with pop-up shops for the crowd to root around in channel their inner DJ. The Janky Smooth team all walked away with selections and we didn’t spend more than $10 all together! The highlight of the evening, aside from the DJ’s, was most definitely the after hours access into the wax museum. Red Bull also hired on celebrity impersonators to mingle with everyone, which really pulled the night together.  Mick Jagger, Dustin Hoffman, Elton John and many of their famous friends were all out and about for

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Courtney Barnett

Courtney Barnett and San Fermin Find Magic and Common Ground at the El Rey

Last night at the El Rey might’ve been the best night of Red Bull Sound Select’s, 30 days in LA, so far. Even though the lineup was a bit mismatched, Courtney Barnett, San Fermin and Phox all brought something beautiful and completely different to the table. Phox, from Baraboo, Wisconsin not only brought all the small town charm and quick wit that lead singer Monica Martin could muster but they also brought some complex arrangements and made them seamless. There is a great chemistry in this 6 piece band that undoubtedly comes from their long time connection to each other.   They attended the same high school and now all live together in the same house in Madison, Wisconsin. Fresh off a performance on the Conan O’Brien show and a trip to Disneyland, they were the first band to take the stage on Tuesday night and showed us all why comparisons of the band range from Feist to Fever Ray. Any band on this bill could’ve easily headlined the night, including Phox.   Next up was San Fermin. Just wow. San Fermin is the brainchild of composer and keyboardist Ellis Ludwig-Leone; A true prodigy. I didn’t know much about this band

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The Preatures Sexually Aroused Their Audience On A Chill Night at The Sayers Club

Last night, Monday November 3rd gave us the 3rd night of Red Bull Sound Select’s, 30 days in LA. This was also my 3rd night out shooting the red bull events so we can all assume I was running on fumes. I was stoked to find out that they were hosting the show at Sayers Lounge in Hollywood, a nice, dimly lit, intimate setting full of couches for me to veg out on. I immediately faced some trouble getting to this show when I realized I did not have my ID. Amateur hour, I know but luckily the staff was nice of enough to play 20 questions with me till they figured I am clearly old enough to party. Once I finally got inside i ordered up a Jameson and Ginger and found some familiar photographer friends to hang out with since i was rolling solo. This was when i realized this may be my favorite of the 30 days mainly because of how mellow the setting was. The first band, Night Drive went on around 9pm and what a fantastic opening band. They had a sound that was kind of like the space between Joy Divisions evolution to becoming

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Ms Mr at 30 days in LA

Ms Mr show “it” off at The Roxy

Sunday, November 2nd was night 2 of Red Bull Sound Select’s, 30 days in LA. The venue was the Roxy on Sunset and the line up featured headliner, Ms Mr and Redbull bands, Feathers and The Electric Sons. On Saturday Red Bull treated attendees to tacos and on Sunday, they provided pizza to make sure we weren’t drinking on an empty stomach. There was also a temporary hair dye station set up where the VIP guests usually kick it. Going to Red Bull Sound Select events is like hanging at your best friends pad who has the cool mom that lets you smoke pot in the house. The challenge that Red Bull bands have during these 30 Days In LA is turning on new fans to their up and coming bands, fans who probably just came to see the headliner. This is not a unique plight for opening acts but I’ve noticed that these people are a bit of a tougher audience for whatever reason. As Janky Smooth attempts to cover all 30 days, the bands that step up and move the crowd will be a sub-plot that we follow very closely. After all, Red Bull is taking on this

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