Category: FEATURES
- HOME
- Category: FEATURES
The 4th Wave of Garage Rock in Los Angeles-A Retrospective
Brent Smith
September 3, 2025
Those of us lucky enough to be in L.A. for the 4th wave of garage rock in the 2010s suddenly find ourselves mourning the fact that it’s gone … long receded. We hardly even noticed. What the fuck happened? words: Brent Smith related: Ty Segall And The Secret Show- A New Tradition in Los Angeles I see them around- skulking the Zebulon smoking patio or pounding cheap beer at the Taix bar in motorcycle jackets and old band shirts (that their friends are in) and black denim and dirty Chucks. The weary look of defeat in their bloodshot eyes as we see each other (through the endless, bobbing sea of Benson Boone clones) and head-nod and ask if we met at that one Desert Daze when Iggy headlined. I see them around. The Echo Park refugees of the 2010s wave of garage rock. related: Over 10 Years of Desert Daze Archives And yes, this is my declaration that the 2010s merit a mention in the annals of American garage rock — ’60s, ’80s, ’00s … ’10s. The Fourth Wave. If you’re some music nerd who disagrees you can go fuck yourself. You couldn’t swing a dead cat on Sunset without
Read More
Acid Bath at Hollywood Palladium: Venus Blues and Bayou Sludge
Rob Shepyer
August 29, 2025
Acid Bath was the one band no one thought would ever reunite. They were a flash in the pan at one point, considered a glitch in heavy metal history—yet simultaneously, they were the band everyone wanted to be and emulate, the band that inspired subgenres from the edges of extremity to the depths of doom and across the entire spectrum of stoner rock and roll. That’s why Acid Bath’s show at the Hollywood Palladium on August 22nd was charged with much more power and gravitas than a typical reunion. It was a moment written in stone, acknowledging that the kings of the New Orleans heavy music scene would one day return to their rightful thrones. The anticipation had been building for years among fans who never truly believed this day would come. The venue itself seemed to understand the weight of the occasion. The Hollywood Palladium, with its storied history of hosting legendary performances, provided the perfect backdrop for what would become a defining moment in heavy music. As fans filed into the historic theater, there was an electric tension in the air—a mixture of disbelief, excitement, and the kind of reverence typically reserved for religious experiences. related – Memoirs
Read More
Glass Beams at Ventura Music Hall: Desert in a Bottle
Rob Shepyer
August 28, 2025
This has been a psychedelic week for me, still feeling the afterglow of seeing Pigs x7, so before I could enter this new trip closer to home, I needed to sober up off the lingering sonic buzz. I wanted to clear out the leftover distortion rattling in my head so I could step into the Ventura Music Hall with ears and mind ready to feel the pure, authentic high off the sound of Glass Beams. related: Pigs x7 Launch North American Tour At Lodge Room Glass Beams plays in the tradition of distorting and disrupting traditional, exotic world music into modernized, minimalist psychedelia. Their music doesn’t need to shout, roar, or crash like a doom riff to get you there; it works in repetition, mood, and layering. It works in space. They aren’t the first to attempt this blend and they won’t be the last, but at the moment, they feel like the only band making traditional world music vibrations consumable for folks interested in dancing on clouds, instead of just headbanging in basements. Shows like this are rare in Ventura, though they strike a nerve in both artist and audience that no other city quite can. Ventura has always
Read More
Blood Incantation Live at The Wiltern, Los Angeles
Danny Baraz
August 19, 2025
The Los Angeles stop of the Blood Incantation 2025 Absolute Else Tour was more than just another date—it was the climactic finale of their North American run and one of the most unforgettable metal shows of the year. On August 7, 2025, The Wiltern Theatre in Los Angeles’ Koreatown transformed into a cosmic gateway as the Denver quartet delivered a marathon performance that fused progressive death metal, krautrock atmospherics, and spatial ambient noise. From the moment fans entered the art-deco grandeur of The Wiltern, the anticipation was electric. The show sold out weeks in advance, and the bill reflected Blood Incantation’s expansive vision. Krallice opened the night as the experimental black metal heir apparent. Prog-metal icons Cynic elevated the night with a career-spanning journey through tech metal and jazz-inflected experimentation. Last but not least, ambient pioneer Steve Roach offered a rare live set that immersed the crowd in soundscapes of drones and deep cosmic resonance. I thought the order of the bands was peculiar but I can’t say I’d complain. By the time Blood Incantation took the stage, the audience had already traveled through decades of extreme and progressive music and even an extended regenerative period during Steve Roach’s set.
Read More
MSPAINT and Lip Critic at Lodge Room- Disturbing The Peace
Danny Baraz
August 14, 2025
On an undersold Thursday night at the Lodge Room on a quiet night in Highland Park, MSPAINT made their tour stop in Los Angeles to support the No Separation EP. They brought with them Pat and the Pissers and a band that caught my attention at the end of 2024, Lip Critic. I really love MSPAINT but I traveled cross town to see what the fuck this weird, experimental band Lip Critic would sound like live and how the fuck they made the sounds that had been coming out of my speaker the last 6 months. I arrived in time for a REALLY great band out of Indianapolis- Pat and the Pissers. They are a interesting Descendents punk mix of confrontational, charismatic and borderline technical players. Bass player Kilmer stood out immediately but I quickly realized that the entire band was tight and lead singer Alex Beckman was born to sing at people. related: Model/Actriz- Pirouette New Album/Bend Bodies/Break Brains At the end of an extended schmoke break between sets, we heard strange rumblings and sounds coming from the venue. We rushed upstairs to find the 4 Lip Critic lunatics thrashing about the stage, 30 seconds into their set with
Read More
Sound And Fury 2025: Everybody Spin Kick!
Danny Baraz
August 1, 2025
“Everybody spin kick!” was the order given in the first 4 bars of the first breakdown by Mindforce frontman Jay Petagine,Saturday headliners at the Cream Stage at Sound and Fury 2025. featured image- Basement: Joe Calixto It was the first time I was IN the pit at Sound and Fury 2025 on Saturday at Exposition Park and not backstage or out on the periphery- the difference between a nice view of the ocean or swimming in it. I use boxing’s “crab defense” during these explosions. I recommend it highly. It’s allowed me to play defense and even though the best defense is a good offense, I don’t like physically hurting people as much as I used to. It made me think of the meme about hardcore dudes in the pit past 40 and the tendency toward excessive violence toward children… and this feels like the perfect platform to explain this cultural phenomenon… related: Relive Every Sound and Fury for the Last 10 Years The first time I got hit in the head with an errant fist for fun and not fighting was in my late 30’s- not old for the world but certainly old in a music scene. Old enough
Read More
Relive Every Sound And Fury Festival For The Last 10 Years
Janky Smooth Central Command
July 7, 2025
For almost two decades, Sound and Fury Festival has embodied the past, present, and future of most fast or heavy and especially fast AND heavy genres- particularly hardcore punk. Evolving from a grassroots DIY event into a world-renowned gathering of global talent, the festival has grown in scale and vision while staying true to its roots in chaos, catharsis, and community. No barriers- literally, to this day, almost nothing separates the bands and fans. Each year marks a new chapter—not just in the festival’s story but in the ongoing history of hardcore itself. Here’s a look back at the defining Sound and Fury Festival moments as covered by Janky Smooth, year by year (2016 on) from small rooms to massive fields, from secret side shows to legendary sets- followed by a complete schedule for Sound and Fury Festival 2025 Featured Image: Have Heart by Albert Licano Sound and Fury 2016: Coming of Age at The Regent Summary: 2016 was a defining year. After years of venue instability, Sound and Fury found a new home at The Regent Theater in Downtown L.A., marking a turning point in both professionalism and presentation. The lineup straddled eras and styles, and the atmosphere felt
Read More
Peach Pit & Briston Maroney Spellbind The Greek Theater
Danny Baraz
June 17, 2025
June 11 2025 felt tailor-made for an outdoor indie double bill. Ticketmaster billed the evening as Peach Pit & Briston Maroney — Long Hair, Long Life Tour and promised an “all-ages indie celebration.” The sun slipped behind Griffith Park just as doors opened at 5:30 p.m., giving 5,800 fans plenty of time to explore merch, sip local brews, and admire the Greek Theatre’s art-deco façade before the 7 p.m. start time. Briston Maroney: Folk-grunge fireworks to start the night Knoxville-raised singer-songwriter Briston Lee Maroney cut his teeth on American Idol at 15, busked bluegrass tunes through Tennessee, and independently issued EPs before landing with Atlantic Records. His gold-certified single “Freakin’ Out on the Interstate” paved the way for full-lengths Sunflower (2021), Ultrapure (2023) and the brand-new Jimmy (May 2025), a record that pairs confessional lyrics with grungy guitar crescendos. Stepping onstage beneath faux evergreens and twinkle lights, Knoxville native Briston Maroney treated L.A. like his own backyard campfire. He hurled himself into opener “Small Talk,” then immediately demanded a louder response: “Feel it tonight, Los Angeles—really feel it!” related: Music For Trees- P.J. Harvey at The Greek Theater Maroney’s nine-song set hopscotched through every era of his catalog: “Under My
Read More
Youth Code Break The Ice At The Echo: Yours, With Malice
Danny Baraz
June 12, 2025
This past Saturday, June 7th, the post-punk industrial outfit, Youth Code, returned to The Echo in Los Angeles for their first headlining show in this city in 9 years. L.A. is the city from which Youth Code spawned so, that hiatus is enigmatic on its own. Why has it been so long and why now? The latter, easy to answer — Yours, With Malice, the new EP released last month on May 16th by Sumerian Records. Spoiler alert: It’s a fucking banger. In the shadow of the ICE raids and protests happening downtown and all over the city, Youth Code and their supporting act, Sweat played a show- one of the best club shows I’ve seen all year and it was fitting it was at The Echo for many reasons. I knew nothing about the band Sweat but they announced their presence with authority. Sweat are a hard-hitting hardcore-punk trio from Los Angeles, formed in 2019 by veteran SoCal scene members Tuna Tardugno (vocals), Justin Smith (guitar/bass), and Anthony Rivera (drums), formerly of outfits like Graf Orlock, Dangers, and Dogteeth . With razor-sharp riffs, metallic hardcore energy, and an unhinged and frenetic live show by their ringleader, Tardugno, they channel influences ranging from Cro‑Mags
Read More
The Adicts- One of Punk’s Most Enduring Acts In Midst of Legendary Tour
Jessica Moncrief
June 9, 2025
Fresh off a mind-blowing set at Punk Rock Bowling in Las Vegas, The Adicts hit the West Coast running—selling out every Southern California date, including San Diego, Los Angeles, and Pomona. Demand was so overwhelming that they added a last-minute extra night in Pomona to accommodate the flood of fans. Over the course of four unforgettable consecutive nights, they delivered their signature blend of theatrical punk and unshakable optimism to rooms packed with loyal fans, first-timers, and multiple generations of droogs—all coming together to celebrate the simple miracle of being alive in the moment. Even though The Adicts have been spreading joy for nearly five decades, punk isn’t just nostalgia with this band, it’s present-tense, kinetic, and thriving. Since the late ’70s, The Adicts have been singing songs of praise for the weird, the wild, and the joyfully defiant—reminding the world to stay playful, live loud, embrace autonomy, and not take life so fucking seriously. related: Hat Trickers And Lower Class Brats at Bootleg Theater- A Real Horror Show The Drowns opened each evening on a high note with a fun, energetic set of melodic punk. Their stage presence was undeniable, each member brought their own charisma, and together they
Read More
Negative Spaces In A Hyper Poppy Atmosphere At The Wiltern
Danny Ryan
May 8, 2025
Poppy is certainly an anomaly in the heavy music world, almost resembling an overall brand or abstract concept more than just a simple musician as she further blurs the line between influencers and artists. While many people are familiar with her through her days of bizarre Youtube videos where she took on the role of a robotic AI humanoid spouting nonsense, she has come a long way from the novelty of being a subject for reaction videos and has really proved herself as a refreshing forward-thinking figure in heavy metal. Fresh off of her newest album “Negative Spaces” and recent collaborations with Knocked Loose and Bad Omens; Poppy brought her blend of bubblegum catchy melodies, glitchy industrial effects, and brutal metalcore breakdowns to The Wiltern for a night of pure chaotic poppy energy. With Los Angeles being the last date of this tour, Poppy went all out in transforming The Wiltern into her own signature bizarre, twisted world that converted any stubborn metalhead in the room to a believer in her vision for the genre’s future. related: Different Shades of Black and Blue – Knocked Loose at 1720 The opening act Chinese American Bear was an interesting choice for the
Read More
Obituary At The Bellwether: 35 Years of Cause Of Death
Danny Baraz
April 30, 2025
This past Saturday, April 26th, in the year of our Lord, 2025, Obituary, along with Nails brought their tour celebrating 35 years of Cause of Death to The Bellwether in Downtown Los Angeles. Tampa Florida’s Obituary released their second album, Cause of Death in 1990—35 years ago. I was a freshman in high school. I had never heard anything like it and I found out pretty quickly that NO ONE else had heard anything like it, either. My teenage feelings of suffering and despair and confusion and anger finally had a soundtrack. I was just getting into thrash metal and hardcore punk and picking up a guitar for the first time. My preferences leaned toward frenetic chaos with a high bpm. Fast and hard. But Obituary and Cause of Death showed me a new way—grinding, low tempo, heavy riffs that slowly dragged bodies across the floor. Sludgy breakdowns building to blast beat eargasms that changed my life forever. Slayer and others showed them the way but it was Cause of Death that had that mix of thrash and sludge that really got me off. That cassette lived in my Walkman for a good 3 months, uninterrupted. It formally introduced a
Read More