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Those who attended Desert Daze’s legendary 2019 installment will never forget Sasami‘s set. It was sweet, tender and psychedelic. Sprinkled with her signature screeches, the band separated themselves into a different league than the rest of the lineup. It was clear to me that Sasami Ashworth was willing to take risks the rest of the LA indie scenesters weren’t dabbling with. That was in a different world though, now, after so much global turmoil, Sasami has evolved into a different artist altogether. Her latest album, Squeeze, has heavy metal, industrial and hardcore moments that are so potent, that instead of being the outlier of the LA indie scene, the scene changes to the music. The Nagas serpent woman that adorns the cover represents Sasami’s anime-esque character arc where a hero or villain needs to show their true form to stand a chance in battle. Slithering, coiling, and constricting with four arms on each side of her serpentine tail, Sasami reminds me of the light version of Naruto’s Orochimaru mixed with a bit of Takashi Miike cinema. related content: Silver Lake Perris: Desert Daze 2019 The concert in question at the Teragram Ballroom was the last stop on Sasami’s tour. This